When the character grows into her mid-20s, Exarchopoulos (18 at the time of filming) evokes the aura and sensibility of a responsible adult woman. When the character is a teenager, Exarchopoulos thinks teenage thoughts. In close-up, we see an actress whose thoughts and moods are always shifting and revealing themselves, who is interesting in every frame. Though Seydoux, a major star in France, gets top billing, it's Exarchopoulos, previously unknown, who is the movie's focus. In group scenes, director Abdellatif Kechiche just leaves the camera on Exarchopoulos. We meet Adele (Exarchopoulos) in high school, and unlike the usual bland teenage protagonist, she is already vivid - lively and confident, with a touch of insolence, an arresting low voice and an epicurean response to food. From the beginning, it settles into a rhythm that makes sense of its length and gives the viewer a deep sense of place. The film is 179 minutes long and needs all 179 minutes. When it won the Palme d'Or at Cannes, Steven Spielberg, hardly a radical, was president of the jury. I doubt anyone walks out of "Blue Is the Warmest Color" feeling they've seen a sex movie. But unlike in a film of pornography, the sex is simulated (as in no actual genital contact), and the overall point is not to arouse. On the contrary, if you don't find these scenes erotic, you've probably been dead for at least a week.
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The scenes, which are explicit and protracted, earned the film an NC-17 rating, and it would be disingenuous to claim they're not erotic. If anyone had a chance to think for a second these days they'd realize that most working conditions suck ass for the whole world, not just for poor rich Lea and soon to be cannon shot through the fucking stars Adele who both had to actually work for 5 months of their life.It arrives from France on a wave of controversy for its depictions of lesbian sex between the two young women, played by Lea Seydoux and Adele Exarchopoulos. I guess the pain of the past doesn't stop her from doing an interview for every Criterion released film he made with her. She can have whatever method she wants, and she's had her stake in conversing about Bergman. Miss Bergman shouldn't be questioned? Liv Ullman has made films as well. Doesn't change his work, and films and the cultural impact he made with his art. What a good point.Īnd Ingmar Bergman was notoriously difficult as well as a womanizing asshole. They take popular cultural ideas and force feed it into an issue like this one in order to validate their frustrations and misunderstandings.Īnd Ingmar Bergman was notoriously difficult as well as a womanizing asshole.
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This is where I'm infuriated, when someone delves into a subject that they presume to understand and have a very clear idea of what they're talking about but more or less mock that subject's existence and see it through the lens of "reality". She understands art and the friction behind it's existence and the rest of the world who don't have similar passions but still offer their opinions on the subject. She is a tortured artist, and she's a freethinker. Watch Fat Girl, then watch the extras and then give me your opinion on my opinion. But you forgot about Catherine Breillat, the most honest and controversial female director in the world. He's a saint compared to anyone else working down there.
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Peter Jackson is the most composed person in contemporary cinema. Jean Renoir, a man, never yelled at his actors. Kathryn Bigelow is one person and she, and Chantal Ackerman are not that kind of director.
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acceptableSee what you're doing is dividing the genders, not the artists. I can't imagine what female French directors would have to say about this scandal, but they should speak out. Léa should be supported especially by her colleagues. They are brave women in an industry mostly controlled by men. Quoting limited to 3 levels deep She did the right thing when denouncing Kechiche she's not the first actress to speak out and shouldn't be the last one.